British TV Comedies That Changed the Game

British television comedies—in the tradition of Monty Python’s Flying Circus and Fleabag—have always altered the global definition and boundaries of the genre, creating a world of surreal brilliance to raw introspection. Their innovative approach challenges conventions, inspiring generations of comedians and writers. The impact of British humour has long transcended the UK, informing television trends internationally.

Fawlty Towers” (CC BY-NC-SA 2.0) by Tom McKinnon

Revolutionary Beginnings: Monty Python and Fawlty Towers

From 1969 to 1974, Monty Python really squeezed the soul of comic chaos from this first medium of television. Six brain trust artists—Chapman, Cleese, Gilliam, Idle, Jones, and Palin—established Monty Python’s Flying Circus. Their absurd characters and nonsensical scenarios redefined humour, with the Dead Parrot sketch exemplifying their satirical genius, blending wit and nonsense. This show ripples through all comedy.

Of John Cleese’s post-Monty Python work, Fawlty Towers has become a comedic masterpiece. Written with Connie Booth, this farce of character-based comedy aired in 1975 and 1979. At its heart is Basil Fawlty, the owner of the hotel, whose best-defining characteristic is his explosive temper, provoking plenty of funny conflicts. His conflicts with guests and staff whip up a comedic storm, anchoring each episode in chaos. For all its short life, razor-sharp writing and precise timing elevated this show to sitcom royalty.

Modern Innovators: The Office and Fleabag

Between 2001 and 2003, Ricky Gervais and Stephen Merchant changed the face of television comedy with The Office. A mockumentary that zeroed in on the bleak mundanity of the daily grind in an office and all the awkwardness that comes with it—unknown until then on TV—it was driven by character-based comedy, spearheaded by Gervais’s iconic David Brent, who deludes himself as a manager. It spawned global adaptations and laid the blueprints for future hits such as Parks and Recreation and Modern Family.

A young Londoner’s odyssey through love and loss captivates viewers in Fleabag. Phoebe Waller-Bridge’s brainchild evolves from stage to screen. Her protagonist breaks the fourth wall, forging an intimate bond with audiences. The narrative hurtles along through sharp wit and unflinching honesty, representing millennial angst by dealing with grief, self-discovery, and guilt. This daring series aired from 2016 to 2019 and showcased comedy’s potential for authentic, deeply personal storytelling.

Fleabag at the Emmys” (CC BY 2.0) by Steam Pipe Trunk Distribution Venue

The Role of Humour and Whimsy in British Entertainment

From comedy shows to games, British whimsy weaves its magic through entertainment. The nation’s humour deftly mixes absurdity and mundanity, crafting a singular comedic voice. This playful spirit shines in gaming, notably in slots like Fishin’ Frenzy. Here, vibrant visuals and simple gameplay hook players with a cheerful angling theme. What makes the game appealing is its fun—light-hearted, like all British entertainment, whichever the medium.

The IT Crowd symbolises the playful face of British comedy. The sitcom, penned by Graham Linehan, takes the weird IT department of a big corporation as its centre and intersperses surreal humour with satire of office culture. Its eccentric characters and sharp wit have won hearts both in the UK and abroad. The show’s whimsy captures the blend of quirkiness and wit that defines British humour at its best.

Everlasting Icons

British TV comedy revolutionised humour, from Monty Python’s surreal genius to Fleabag’s emotional resonance. These groundbreaking shows entertained while setting new standards for innovation. They proved comedy’s power to challenge norms, reflect society, and inspire change and, as British television evolves, these iconic series remain a testament to its enduring impact.

Father Christmas Is Back (2021) Review

When a family Christmas happens in a mansion with four sisters who argue constantly it is about to get even crazier when their father who abandoned them 27 years ago on Christmas Day shows up in an attempt to make amends.

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Mary Shelley’s Frankenstein (1994) Review

When Dr Victor Frankenstein a scientist rejects the man he created he escapes and decides that revenge on his creator is the only way to get even!

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Shrek the Third (2007) Review

When Shrek is to become the heir to the land of Far, Far Away he wants to ensure Artie takes up the throne instead and embarks on a quest with Donkey and Puss in Boots. While Princess Fiona must fend off Prince Charming who has still not got over being jilted.

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A Fish Called Wanda (1988) Review

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In London we follow four very different people who plan a heist and originally work together but then constantly double cross one another in an attempt to find out where George moved the diamonds to before he was arrested.

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Shrek 2 (2004) Review

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Shrek rescued Princess Fiona and they got married, now he must meet her parents as they travel to Far Far Away in order to meet the King and Queen. Although not everything is what it seems, oh and they have no idea that Shrek (and now Fiona) are ogres.

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Trolls (2016) Review

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After the Bergens invade Troll Village and take some of the trolls, Poppy takes a stand to rescue them and using her extremely positive happy attitude to believe in herself. Along with Branch who is a rather sad Troll.

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Die Another Day (2002) Review

James Bond is sent to investigate in North Korea which does not begin well for him as he is captured and kept as a prisoner . . . After he casually surfed into the country. Yes. Really.

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The World is Not Enough (1999) Review

James Bond uncovers a nuclear plot (he’s good at finding them isn’t he) whilst also protecting an oil heiress from her former kidnapper Renard an international terrorist who cannot feel any pain.

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Monty Python Live (mostly) – The O2

After having the tickets for about 8 months on Saturday night we eventually got to The O2 to see Monty Python Live (mostly) – One down five to Go. Even the title of the show has a couple of jokes in it! Over 40 years after they last appeared on a stage in the UK as well, all five of them in their 70s but you really wouldn’t have guessed that with the amount of energy put into the show.

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