
Tom is in love with Hannah who is engaged to be married and everything is about to get so much worse for him when she asks him to be her maid of honour!
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Film and Theatre Lover!

Tom is in love with Hannah who is engaged to be married and everything is about to get so much worse for him when she asks him to be her maid of honour!
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Awww I just love Jules, so much news about her the past few weeks and I just love it !!!
Julia Roberts is anxious to see how Javier Bardem will sweep her off her feet in their forthcoming film Eat, Pray, Love – after watching the actor’s violent performance in No Country For Old Men.
The actress is set to star alongside Richard Jenkins and Bardem, who falls in love with Roberts’ character during a worldwide journey of self-discovery in the movie, which is based on Elizabeth Gilbert’s best-selling 2006 memoir.
But the Hollywood beauty admits she is having trouble envisioning Bardem in the role of a hopeless romantic after watching him play an awkward-looking and compassionless killer in the 2007 Oscar-winning drama.
She says, “I can’t actually say I’m looking forward to it because I keep picturing him with that evil Beatles haircut. And that can (weapon) – what the hell is in that can? I have some reservations about this, but there are other nice people in the movie before he gets there.”
Filming is scheduled to begin in July and will take place in New York, Italy, India and Bali.
Some news from today . . .
Roberts Rents New York Summer Houses
This has made me think OMG, as I did not realise she would be filming in NYC !!!
Julia Roberts is spending $150,000 (£100,000) renting two houses in New York while she shoots a new movie in Manhattan this summer.
The actress will spend three months in the Big Apple shooting new movie Eat, Pray, Love – and has reserved two posh apartments in the West Village.
Roberts will live in one of the properties with husband Danny Moder and their kids Hazel, Phinnaeus and Henry, while the other two-bedroom pad is for their nanny and staff.
I think this is really interesting !!!
Guy Ritchie is set to branch out from the world of gangster cinema – the filmmaker is reportedly in Hollywood to begin writing a script for a remake of Guys And Dolls.
The director, best known for his London-based crime films, is said to have roped in movie hardman Jason Statham to show off his vocal talents in a reworking of the classic musical, which originally starred Marlon Brando and Frank Sinatra.
A source tells British newspaper The Sun, “Guy has been on the case with the idea of making a musical recently. He had been throwing ideas around with Jason Statham about writing their own musical.
“Guy has had a lot of meetings with top studio bosses about other projects but the Guys And Dolls idea really tickled him.”
But Ritchie could be sticking to a familiar formula when shooting begins – he is apparently considering basing the song-and-dance classic in his native Britain.
The insider adds: “He is torn between keeping the script true to the original in New York and taking it to familiar surroundings in London.”
Awww thats a shame for Scarlett to have her first pieces of directional stuff not to make the final movie. But I am sure she will have plenty more chances in the future.
Scarlett Johansson has suffered a major blow to her dreams of becoming a director – the film segment she shot for a new movie has been cut from the final version.
The 24-year-old was among a number of stars, including fellow actress Natalie Portman, who took part in making upcoming film New York, I Love You – which is a series of love stories all shot by different directors.
But Johansson’s contribution, her directorial debut, has been edited out, with producer Emmanuel Benbihy insisting the short was too “conceptualised” to fit in with the rest of the picture.
He tells New York Post gossip column PageSix, “The story did not specifically involve an interpersonal relationship, and it was conceptualised to be filmed in black and white – both of which were extreme departures from the other films.
“Scarlett presented me with an extremely compelling, albeit unconventional, narrative that appeared as though it would not necessarily conform to the overall approach of the entire collective.
“I was very much moved by her vision (but) after months of editing I had to admit that there were editorial decisions to be made in the interest of serving the overall narrative and composition that resulted in previously filmed scenes and footage not getting used.”