Michael (2026) Review

The early like of Michael Jackson, from his talent as part of the Jackson Five to wanting to breakout alone into his solo career.

⭐️⭐️⭐️

I feel the best way to start this review is to admit that I skipped it at the cinema as I am not and have never been a fan of Michael Jackson. I don’t mind a couple of his songs, but I have never understood the fanfare around the music. I was on a flight though and this film was one a few that I hadn’t seen, which is why I decided to watch it.

The plot of the film goes from the 1960s and all the way to 1988, naturally stopping before having to address certain issues it seemed, which could have added depth and resonance to the narrative. The journey through these decades showcases a rich tapestry of social changes, cultural movements, and personal transformations that mirror the evolution of society during that time. Don’t get me wrong though; the musical numbers and the way they are put on screen make this watchable, as they are vibrant and engaging, providing a lovely escape into the music of the era. The choreography, along with the talented cast, brings an energetic vitality that captivates audiences, making it easy to overlook some of the gaps in the storytelling.

There’s no doubt that the life of Michael and his brothers was never an easy one, and being thrown into the limelight of fame at such an early age is quite frankly always a disaster. That seems to be the biggest area in which they focus on and how that shaped everything in his life. We get to see the different stages of the music and how he become so loved.

Jaafar Jackson takes on the role of his Uncle Michael and I guess that was quite the catch in terms of the casting. Juliano Valdi was impressive as the younger version of Michael. Colman Domingo seems to be everywhere, and I am here for it. Taking on a rather unpleasant character and doing it good fashion.

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